Best Movies for Oscar 2024 - Introduction
The 96th Academy Awards at the Dolby Theater in Hollywood were full of excitement and unexpected wins, showcasing the best movies nominated for an Oscar in 2024. ‘Oppenheimer‘ stole the show, winning seven awards, including the best picture, solidifying its position among the best movies for Oscar 2024. Christopher Nolan‘s masterful direction won him Best Director, highlighting his film as a pinnacle achievement for the year. Cillian Murphy‘s captivating performance won him Best Actor, while Emma Stone clinched the Oscar for Best Actress for her performance in “Poor Things“, both performances being recognized as among the best movies for Oscar 2024. Robert Downey Jr. also shined, taking home the award for Best Supporting Actor, contributing to the night’s celebration of cinematic excellence.
About the Oscars
The Academy Awards, famed as the Oscars, celebrate excellence in the film industry, including recognizing the best movies for Oscar 2024. Presented by the Academy of Motion Picture Arts and Sciences (AMPAS) annually, these awards acknowledge artistic and technical achievements in cinema and highlight the best movies for Oscar 2024. The Oscars, dating back to 1929, are the oldest global entertainment awards, setting the stage for annually spotlighting the best movies for Oscar 2024. The second ceremony in 1930 was the first broadcast on the radio, and by the 1953 event, which marked the first televised broadcast, the tradition of annually honoring the best movies for Oscar 2024 was well established, continuing the legacy of celebrating cinematic excellence across the decades.
Best Movies for Oscar 2024 Oscars Full Winners List
Here’s a complete list of the night’s winners:
Best Picture
- ‘American Fiction,’ Ben LeClair, Nikos Karamigios, Cord Jefferson and Jermaine Johnson, producers
- ‘Anatomy of a Fall,’ Marie-Ange Luciani and David Thion, producers
- ‘Barbie,’ David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner, producers
- ‘The Holdovers,’ Mark Johnson, producer
- ‘Killers of the Flower Moon,’ Dan Friedkin, Bradley Thomas, Martin Scorsese and Daniel Lupi, producers
- ‘Maestro,’ Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning and Kristie Macosko Krieger, producers
- ‘Oppenheimer,’ Emma Thomas, Charles Roven and Christopher Nolan, producers (WINNER)
- ‘Past Lives,’ David Hinojosa, Christine Vachon and Pamela Koffler, producers
- ‘Poor Things,’ Ed Guiney, Andrew Lowe, Yorgos Lanthimos and Emma Stone, producers
- ‘The Zone of Interest,’ James Wilson, producer
Best Director
- Justine Triet — ‘Anatomy of a Fall’
- Martin Scorsese — ‘Killers of the Flower Moon’
- Christopher Nolan — ‘Oppenheimer’ (WINNER)
- Yorgos Lanthimos — ‘Poor Things’
- Jonathan Glazer — ‘The Zone of Interest’
Actor in a Leading Role
- Bradley Cooper — ‘Maestro’
- Colman Domingo — ‘Rustin’
- Paul Giamatti — ‘The Holdovers’
- Cillian Murphy — ‘Oppenheimer’ (WINNER)
- Jeffrey Wright — ‘American Fiction’
Actress in a Leading Role
- Annette Bening — ‘Nyad’
- Lily Gladstone — ‘Killers of the Flower Moon’
- Sandra Hüller — ‘Anatomy of a Fall’
- Carey Mulligan — ‘Maestro’
- Emma Stone — ‘Poor Things’ (WINNER)
Actor in a Supporting Role
- Sterling K. Brown — ‘American Fiction’
- Robert De Niro – ‘Killers of the Flower Moon’
- Robert Downey Jr. — ‘Oppenheimer’ (WINNER)
- Ryan Gosling — ‘Barbie’
- Mark Ruffalo — ‘Poor Things’
Actress in a Supporting Role
- Emily Blunt — ‘Oppenheimer’
- Danielle Brooks — ‘The Color Purple’
- America Ferrera – ‘Barbie’
- Jodie Foster — ‘Nyad’
- Da’Vine Joy Randolph — ‘The Holdovers’ (WINNER)
Adapted Screenplay
- ‘American Fiction,’ written for the screen by Cord Jefferson (WINNER)
- ‘Barbie,’ written by Greta Gerwig and Noah Baumbach
- ‘Oppenheimer,’ written for the screen by Christopher Nolan
- ‘Poor Things,’ screenplay by Tony McNamara
- ‘The Zone of Interest,’ written by Jonathan Glazer
Original Screenplay
- ‘Anatomy of a Fall,’ screenplay by Justine Triet and Arthur Harari (WINNER)
- ‘The Holdovers,’ written by David Hemingson
- ‘Maestro,’ written by Bradley Cooper and Josh Singer
- ‘May December,’ screenplay by Samy Burch; story by Samy Burch and Alex Mechanik
- ‘Past Lives,’ written by Celine Song
Cinematography
- ‘El Conde’ – Edward Lachman
- ‘Killers of the Flower Moon’ – Rodrigo Prieto
- ‘Maestro’ – Matthew Libatique
- ‘Oppenheimer’ – Hoyte van Hoytema (WINNER)
- ‘Poor Things’ – Robbie Ryan
Original Song
- ‘The Fire Inside’ from ‘Flamin’ Hot,’ music and lyric by Diane Warren
- ‘I’m Just Ken’ from ‘Barbie,’ music and lyrics by Mark Ronson and Andrew Wyatt
- ‘It Never Went Away’ from ‘American Symphony,’ music and lyrics by Jon Batiste and Dan Wilson
- ‘Wahzhazhe (A Song For My People)’ from ‘Killers of the Flower Moon,’ music and lyric by Scott George
- ‘What Was I Made For?’ from ‘Barbie,’ music and lyrics by Billie Eilish and Finneas O’Connell (WINNER)
Costume Design
- ‘Barbie’ – Jacqueline Durran
- ‘Killers of the Flower Moon’ – Jacqueline West
- ‘Napoleon’ – Janty Yates and Dave Crossman
- ‘Oppenheimer’ – Ellen Mirojnick
- ‘Poor Things’ – Holly Waddington (WINNER)
Sound
- ‘The Creator,’ Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich and Dean Zupancic
- ‘Maestro,’ Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich and Dean Zupancic
- ‘Mission: Impossible – Dead Reckoning Part One,’ Chris Munro, James H. Mather, Chris Burdon and Mark Taylor
- ‘Oppenheimer,’ Willie Burton, Richard King, Gary A. Rizzo and Kevin O’Connell
- ‘The Zone of Interest,’ Tarn Willers and Johnnie Burn (WINNER)
Original Score
- ‘American Fiction’ – Laura Karpman
- ‘Indiana Jones and the Dial of Destiny’ John Williams
- ‘Killers of the Flower Moon’ – Robbie Robertson
- ‘Oppenheimer’ – Ludwig Göransson (WINNER)
- ‘Poor Things’ – Jerskin Fendrix
Live Action Short Film
- ‘The After,’ Misan Harriman and Nicky Bentham
- ‘Invincible,’ Vincent René-Lortie and Samuel Caron
- ‘Knight of Fortune,’ Lasse Lyskjær Noer and Christian Norlyk
- ‘Red, White and Blue,’ Nazrin Choudhury and Sara McFarlane
- ‘The Wonderful Story of Henry Sugar,’ Wes Anderson and Steven Rales (WINNER)
Animated Short Film
- ‘Letter to a Pig,’ Tal Kantor and Amit R. Gicelter
- ‘Ninety-Five Senses,’ Jerusha Hess and Jared Hess
- ‘Our Uniform,’ Yegane Moghaddam
- ‘Pachyderme,’ Stéphanie Clément and Marc Rius
- ‘War Is Over! Inspired by the Music of John & Yoko,’ Dave Mullins and Brad Booker (WINNER)
Documentary Feature Film
- ‘Bobi Wine: The People’s President,’ Moses Bwayo, Christopher Sharp and John Battsek
- ‘The Eternal Memory’
- ‘Four Daughters,’ Kaouther Ben Hania and Nadim Cheikhrouha
- ‘To Kill a Tiger,’ Nisha Pahuja, Cornelia Principe and David Oppenheim
- ’20 Days in Mariupol,’ Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath (WINNER)
Documentary Short Film
- ‘The ABCs of Book Banning,’ Sheila Nevins and Trish Adlesic
- ‘The Barber of Little Rock,’ John Hoffman and Christine Turner
- ‘Island in Between,’ S. Leo Chiang and Jean Tsien
- ‘The Last Repair Shop,’ Ben Proudfoot and Kris Bowers (WINNER)
- ‘Nǎi Nai & Wài Pó,’ Sean Wang and Sam Davis
International Feature Film
- ‘Io Capitano’ (Italy)
- ‘Perfect Days’ (Japan)
- ‘Society of the Snow’ (Spain)
- ‘The Teachers’ Lounge’ (Germany)
- ‘The Zone of Interest’ (United Kingdom) (WINNER)
Animated Feature Film
- ‘The Boy and the Heron,’ Hayao Miyazaki and Toshio Suzuki (WINNER)
- ‘Elemental,’ Peter Sohn and Denise Ream
- ‘Nimona,’ Nick Bruno, Troy Quane, Karen Ryan and Julie Zackary
- ‘Robot Dreams,’ Pablo Berger, Ibon Cormenzana, Ignasi Estapé and Sandra Tapia Díaz
- ‘Spider-Man: Across the Spider-Verse,’ Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller and Amy Pascal
Makeup and Hairstyling
- ‘Golda,’ Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue
- ‘Maestro,’ Kazu Hiro, Kay Georgiou and Lori McCoy-Bell
- ‘Oppenheimer,’ Luisa Abel
- ‘Poor Things,’ Nadia Stacey, Mark Coulier and Josh Weston (WINNER)
- ‘Society of the Snow,’ Ana López-Puigcerver, David Martí and Montse Ribé
Production Design
- ‘Barbie,’ production design: Sarah Greenwood; set decoration: Katie Spencer
- ‘Killers of the Flower Moon,’ production design: Jack Fisk; set decoration: Adam Willis
- ‘Napoleon,’ production design: Arthur Max; set decoration: Elli Griff
- ‘Oppenheimer,’ production design: Ruth De Jong; set decoration: Claire Kaufman
- ‘Poor Things,’ production design: James Price and Shona Heath; set decoration: Zsuzsa Mihalek (WINNER)
Film Editing
- ‘Anatomy of a Fall’ – Laurent Sénéchal
- ‘The Holdovers’ – Kevin Tent
- ‘Killers of the Flower Moon’ – Thelma Schoonmaker
- ‘Oppenheimer’ – Jennifer Lame (WINNER)
- ‘Poor Things’ – Yorgos Mavropsaridis
Visual Effects
- ‘The Creator,’ Jay Cooper, Ian Comley, Andrew Roberts and Neil Corbould
- ‘Godzilla Minus One,’ Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima (WINNER)
- ‘Guardians of the Galaxy Vol. 3,’ Stephane Ceretti, Alexis Wajsbrot, Guy Williams and Theo Bialek
- ‘Mission: Impossible – Dead Reckoning Part One,’ Alex Wuttke, Simone Coco, Jeff Sutherland and Neil Corbould
- ‘Napoleon,’ Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco and Neil Corbould
What is the Cost of the Best Movies for Oscar 2024?
The film industry’s magnitude is unmistakable, especially when considering its financial muscle and the effort it puts into celebrating its crowning achievements, notably the anticipation around the best movies for the 2024 Oscars. In 2019, the value of the US film sector reached $65.6 billion, slightly below the $65.8 billion reported in the previous year, as found by Statista, reflecting the industry’s substantial economic footprint and its enthusiasm for honoring films that stand a chance at the 2024 Oscars. Given the industry’s eagerness to commemorate its successes, including spotlighting contenders for the best movies for the 2024 Oscars, the extravagant costs associated with these celebrations are to be expected, symbolizing the event’s grandeur and the industry’s investment in excellence.
The expenditure for the Oscars in 2022 surged to about $56.8 million from $42.9 million in 2021, influenced by the pandemic, according to the 2022 financial statement from the Academy of Motion Picture Arts and Sciences. This increase highlights the event’s lavish scale and its role in championing the contenders for the best movies for the 2024 Oscars, demonstrating the industry’s unwavering commitment to celebrating cinematic masterpieces. Beyond the ceremony itself, significant funds are allocated to attire nominees and celebrities, possibly featured in the best movies for the 2024 Oscars, and to organize galas, with film studios also investing heavily in campaigns to promote their award hopefuls. This extensive outlay underscores the comprehensive efforts made to support and acknowledge the best movies for the 2024 Oscars, showcasing the pivotal role the Oscars play in recognizing and influencing the perceptions of film excellence.
What is the Cost of Televising the Oscars?
ABC broadcasted the 2023 Academy Awards on March 10, as it has done every year since 1976, showcasing its longstanding tradition of highlighting cinematic excellence, including the eagerly anticipated best movies for the 2024 Oscars. This significant event comes with a hefty price tag for the Walt Disney Company-owned network, which invests heavily not only in the broadcast rights but also in promoting the best movies for the 2024 Oscars. According to the Los Angeles Times, ABC secured a 10-year contract extension in 2016, valued at over $1 billion, to continue broadcasting the Oscars until 2028, underscoring its commitment to delivering this prestigious event to audiences worldwide, including featuring the best movies for the 2024 Oscars.
In 2022, ABC charged between $1.7 million and $2.2 million for a 30-second ad slot, a premium rate that reflects the anticipated showcase of the best movies for the 2024 Oscars, and successfully sold all 60 of its ad slots, as reported by Variety. This demonstrates the high demand and significant interest from advertisers looking to connect with the audience tuned in to celebrate the year’s cinematic achievements, especially those films recognized as the best movies for the 2024 Oscars. The investment by both ABC in broadcasting the event and advertisers in securing ad slots highlights the Oscars’ role not just in awarding current cinematic achievements but also in setting the stage for future contenders, like the best movies for the 2024 Oscars, to gain global recognition.
What is the Cost of an Oscar?
The first Oscar statuette was awarded on May 16, 1929, in Hollywood. Since then, more than 3,000 of these iconic statuettes have been presented. Standing 13.5 inches tall and weighing 8.5 pounds, each Oscar is considered priceless to its recipient. However, it costs about $400 to produce and is crafted from bronze, plated with 24-karat gold. The contract to manufacture the statuettes was granted to the UAP Polich Tallix fine art foundry in New York’s Hudson Valley, starting from the 2016 ceremony, as reported by the Times Union in Albany, New York.
Who is the Host of the Show?
Jimmy Kimmel returned as the host for the Oscars on Sunday, March 10, 2024, marking his fourth time hosting the prestigious event. ABC chose Kimmel again after his successful stint in 2023, which garnered 18.7 million viewers, the highest since the pre-pandemic broadcast in 2020. Following the incident involving Will Smith’s altercation with Chris Rock at the 2022 Oscars, Kimmel led a careful ceremony that helped bring stability to the event after years of uncertainty. Kimmel has hosted the Oscars before, in 2017 and 2018.
Conclusion
Academy Awards, it is clear that this yearly event holds a unique place in the hearts of film lovers worldwide. From the glamour of the red carpet to the emotional moments of victory and defeat, the Oscars still mesmerize viewers and inspire aspiring artists. Let’s honor the art of storytelling and the enchantment of movies as we eagerly anticipate what’s next for the Academy Awards.
Frequntly Asked Questions
Christopher Nolan’s “Oppenheimer” was the big winner of the Oscars 2024, grabbing seven awards, including Best Picture, Actor, Supporting Actor, and Director.
“Oppenheimer” swept the Oscars, winning 7 out of 13 nominations, including Best Film, Best Director, and Best Actor, making it the standout winner of the year.
At the 2024 Oscars, “Oppenheimer” made a clean sweep, bagging 7 out of 13 nominations. It secured top honors in major categories like Best Director, Best Actor, and Best Picture. Meanwhile, “Barbie,” the counterpart of the blockbuster duo “Barbenheimer,” received eight nominations but clinched only one win for Best Song.
“Poor Things” also had its moment, winning awards for Best Actress, Hair and Makeup, Production Design, and Costume Design on March 10.
Emma Stone looked surprised as Michelle Yeoh, last year’s winner, announced her as the Best Actress 2024.
Cillian Murphy takes home the Oscar for Best Actor for his portrayal of J. Robert Oppenheimer, the renowned theoretical physicist known as the ‘Father of the Atomic Bomb’ in Christopher Nolan’s ‘Oppenheimer’.
The Golden Lion film “Poor Things” won 4 Oscars for Best Actress, Best Makeup and Hairstyling, Best Production Design, and Best Costume Design.
The Oscars cover 24 categories, each announcing winners in different fields like Best Picture, Actor, Actress, Supporting Actor, Supporting Actress, Directing, Original Screenplay, Adapted Screenplay, Cinematography, Production Design, Editing, Original Score, Original Song, Costume Design, Makeup and Hairstyling, Sound Mixing, Sound Editing, Visual Effects, Foreign-Language Film, Animated Feature Film, Animated Short, Live-Action Short, Documentary Feature, and Documentary Short. Additionally, the Academy also recognizes scientific and technical achievements, special accomplishments, humanitarian efforts, and excellence in producing and technological contributions. They even planned to introduce a category for ‘outstanding achievement in popular film’ in 2019 but postponed it due to criticism and confusion.
The ‘Big Five’ Oscars include Best Picture, Best Director, Best Actor, Best Actress, and Best Screenplay (Original or Adapted).
At the 96th Academy Awards, Christopher Nolan’s film “Oppenheimer” stole the show, bagging a total of 7 Oscars, including the highly coveted awards for Best Picture and Best Director.
Surprisingly, the record holder for the most Oscars isn’t an actor, it’s Walt Disney. He won a total of 26 Oscars, including 22 competitive awards and 4 honorary ones.
Thanks for sharing. I read many of your blog posts, cool, your blog is very good. https://accounts.binance.com/fr/register?ref=GJY4VW8W
Thanks, I have just been looking for info about this subject for a while and yours is the greatest I have came upon till now. However, what concerning the conclusion? Are you certain about the source?
Your point of view caught my eye and was very interesting. Thanks. I have a question for you.
I don’t think the title of your article matches the content lol. Just kidding, mainly because I had some doubts after reading the article. https://www.binance.com/pt-BR/join?ref=YY80CKRN
Great line up. We will be linking to this great article on our site. Keep up the good writing.
Your point of view caught my eye and was very interesting. Thanks. I have a question for you. https://accounts.binance.com/ru-UA/register?ref=OMM3XK51
Appreciate it for helping out, wonderful info. “A man will fight harder for his interests than for his rights.” by Napoleon Bonaparte.
Hey There. I found your blog using msn. This is a very well written article. I will make sure to bookmark it and return to read more of your useful info. Thanks for the post. I’ll certainly return.
Your article helped me a lot, is there any more related content? Thanks!
Thank you for your sharing. I am worried that I lack creative ideas. It is your article that makes me full of hope. Thank you. But, I have a question, can you help me?
I don’t think the title of your article matches the content lol. Just kidding, mainly because I had some doubts after reading the article.